Rhythm & Hues - résultats de la recherche

In this new making of, Rhythm & Hues talks about Drogon animation for GAME OF THRONES: WANT TO KNOW MORE? Rhythm & Hues: Dedicated page about...

The team of Rhythm & Hues talks about his Dragon work on GAME OF THRONES: WANT TO KNOW MORE? Rhythm & Hues: Dedicated page about GAME...

Here is a second trailer for LIFE AFTER PI: RHYTHM & HUES: LIFE AFTER PI is a short documentary filmed on location at Rhythm &...

Raymond Chen worked over 15 years at Rhythm & Hues. It starts as lighter on films such as BABE: PIG IN THE CITY, CATS & DOGS or X2. Then he was worked on THE FAST AND THE FURIOUS: TOKYO DRIFT as VFX supervisor and then as the same position on projects like THE GOLDEN COMPASS, NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN or HOP. In the following interview, Raymond talks about his work, including the aerial sequences of CHRONICLE.

Derek Spears begins his career in 1994, the movie LITTLE NICKY marks his debut as VFX Supervisor at Rhythm & Hues, since then he has oversees the effects of films such as THE SUM OF ALL FEARS, DAREDEVIL, SUPERMAN RETURNS, or THE MUMMY 3. In the following interview, he discusses his work on RED RIDING HOOD.

Rhythm & Hues for nearly 15 years, Bill Westenhofer has overseen many projects such as BABE, STUART LITTLE, CATS & DOGS, MEN IN BLACK 2 or THE CHRONICLES OF NARNIA. In 2008, he received an Academy Award ® for Achievement in Visual Effects for his work on THE GOLDEN COMPASS. In the following interview, he talks to us about his work on THE A-TEAM.

Gareth Edwards, known for his work in visual effects, transitioned to directing with notable films such as Monsters, Godzilla, and the highly praised Rogue...

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

Dan Smiczek began his visual effects career in 2011 at Rhythm & Hues. After working in various studios, he joined Pixomondo in 2018. He has worked on a many shows including STAR TREK: DISCOVERY, MIDWAY and THE MANDALORIAN.

In 2010, Bill Westenhofer explained the work of Rhythm & Hues on THE A-TEAM. He then worked on many films such as LIFE OF PI, WARCRAFT and WONDER WOMAN. He is the winner of two Oscars for Best VFX for THE GOLDEN COMPASS and LIFE of PI. Bill is back today to talk about GEMINI MAN: