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CONTRABAND: Dadi Einarsson – VFX Supervisor – Framestore Iceland
Dadi Einarsson has over 20 years experience in the VFX. He started in Iceland before moving to London and New York. He has worked at The Mill and Framestore for projects like AUSTRALIA, SHERLOCK HOLMES or CLASH OF THE TITANS. In 2008, he returned to Iceland and founded Framestore Iceland.
JOHN CARTER: Adam Valdez – VFX Supervisor – MPC
Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.
UNDERWORLD AWAKENING: Kaj Steveman, Creative Director & VFX Supervisor – Fido
Kaj Steveman worked for over 30 years in the movie business. He started as a SFX makeup. There is 11 years old, he founded the studio Fido. Kaj has since overseen the effects of many films including FROSTBITTEN, LET THE RIGHT ONE IN or HOTELL GYLLENE KNORREN - FILMEN. In the following interview, he discusses his work on UNDERWORLD: AWAKENING.
IMMORTALS: Danielle Plantec – VFX Supervisor – Scanline VFX
Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.
KING OF DEVIL´S ISLAND (KONGEN AV BASTØY): Otto Thorbjørnsen – VFX...
Otto Thorbjørnsen joined Storm Studios in 2005. He worked on films like DEAD SNOW and THE TROLL HUNTER. In the following interview, he talks about his work as a VFX supervisor on the film KING OF DEVIL'S ISLAND.
TOWER HEIST: Mark Russell – Production VFX Supervisor
After telling us about his work on THE ADJUSTMENT BUREAU, Mark Russell is back on The Art of VFX. He talks about his work on the film TOWER HEIST.
COWBOYS & ALIENS: Roger Guyett – VFX Supervisor – ILM
Roger Guyett began his career in London and then went to America and worked at PDI before joining ILM. He will work on projects like CASPER, TWISTER or MARS ATTACKS! He will oversee the VFX for two Harry Potter (HARRY POTTER AND THE PHILOSOPHER'S STONE and HARRY POTTER AND THE PRISONER OF AZKABAN), STAR WARS EPISODE III: REVENGE OF THE SITH or STAR TREK. He received a BAFTA for Best Visual Effects for SAVING PRIVATE RYAN.
THE PREY: Nicolas Bonnell & Laurens Ehrmann – VFX Producer &...
After working many years at BUF on projects such as ALEXANDER, MATRIX 3, HARRY POTTER 4, BATMAN BEGINS, or THE PRESTIGE, Nicolas Bonnell and Laurens Ehrmann founded in 2007 the VFX studio Plug Effects. They have since worked on films like THE DIVIDE and TWILIGHT ECLIPSE.
The Art of VFX celebrates its 1st birthday!
[lang_fr]Bonjour à tous,
Ce mardi marque le 1er anniversaire de The Art of VFX !
Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews.
Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents.
Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail !
J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion.
Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone,
This Tuesday marks the first anniversary of The Art of VFX!
I wanted to thank you all for reading me every week and to be so many to follow my interviews.
You are several hundred to come every week from more than 80 countries.
I am truly touched that you are so many to appreciate my work!
I am pleased to share the messages I've received for this event.
To read those comments, click here[/lang_en] 
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.