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MAN OF STEEL: Raffael Dickreuter – Virtual Camera Supervisor – Pixel...
In 2011, Raffael Dickreuter explained the work of Pixel Liberation Front on GREEN LANTERN. He has just finished a two years work on MAN OF STEEL and talks to us about his work on it and the use of the virtual camera.
STAR TREK INTO DARKNESS: Kevin Baillie – VFX Supervisor – Atomic...
A few months ago, Kevin Baillie explained the work of Atomic Fiction of Robert Zemeckis' FLIGHT, for which they won the Satellite Award for Best Visual Effects. This time he talks about his work for STAR TREK INTO DARKNESS.
MAN OF STEEL: Max Ivins – VFX Supervisor – Look Effects
Last year, Max Ivins had told us about the work of Look Effects on LIFE OF PI. He then worked on the third season of GAME OF THRONES. He speaks to us today about his work on MAN OF STEEL.
STAR TREK INTO DARKNESS: Roger Guyett – Overall VFX Supervisor &...
During his last visit, Roger Guyett explained to us the work of ILM on COWBOYS & ALIENS. In 2013, he is back with director JJ Abrams on STAR TREK INTO DARKNESS. In addition to its Overall VFX Supervisor job position, he is the Second unit director as he was on the previous STAR TREK movie.
STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo
Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.
IRON MAN 3: Simon Maddison – VFX Supervisor – Fuel VFX
Simon Maddison had explained to us the work of Fuel VFX on COWBOYS & ALIENS and THE AVENGERS. Now he talks about his work on IRON MAN 3.
WARM BODIES: Dan Schrecker – VFX Supervisor – Look Effects
Two years ago, Dan Schrecker had explained his work on BLACK SWAN. He then oversaw the effects of films such as LIMITLESS, THE SITTER or MOONRISE KINGDOM. Accompanied by Matt Krentz, Digital Supervisor, he talks about the effects of WARM BODIES.
FLIGHT: Kevin Baillie – VFX Supervisor – Atomic Fiction
Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.
ZERO DARK THIRTY: Chris Harvey – VFX Supervisor – Image Engine
After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.
GRABBERS: Paddy Eason – VFX Supervisor – Nvizible
Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.