The Right Stuff - résultats de la recherche

The team of Day for Night composed by Frank Kaminski (Producer & VFX Supervisor), Marco Del Bianco (Producer & VFX Supervisor), Marwin Wanek (VFX Lead artist), Eva Wendler (VFX Producer) and Christoph Willerscheidt (VFX Artist) explains their work on NORTHMEN - A VIKING SAGA.

In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

Rick O'Connor began his career in the visual effects at ILM more than 15 years ago with STAR WARS: EPISODE I - THE PHANTOM MENACE. He then worked on films such as VAN HELSING, WAR OF THE WORLDS, all the TRANSFORMERS films or STAR TREK.

In 2004, Michel Mielke started as VFX-Producer at Scanline, working on projects like 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or Marvel's THE AVENGERS. In 2012, he became VFX Supervisor, for projects like LOOPER and SNOWPIERCER. He's now Head of Production since spring 2013, supervising all inhouse producers and taking care the daily business.

Since his last interview here, Dan Schrecker worked on several projects such as THE SECRET LIFE OF WALTER MITTY and GODS BEHAVING BADLY. NOAH is the occasion to work again with director Darren Aronofsky since BLACK SWAN.

Randy Goux is in visual effects for over 16 years. He has worked in many studios around the world and has worked on various projects such as X-MEN, CONSTANTINE, PATHFINDER or RED.

Chris Wells began his career in visual effects since 17 years ago. He has worked on projects such as THE DAY AFTER TOMORROW, 300, 4: RISE OF THE SILVER SURFER or ALIENS VS. PREDATOR: REQUIEM. He then became VFX supervisor and took care of movies like 2012, THE A-TEAM or LOOPER.

After explaining to us about his work on the titles for OBLIVION, Danny Yount is back and tell us now about his work on IRON MAN 3 which marks his second collaboration with the director Shane Black.

John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.

Before joining ILM in 1996, Hal Hickel had worked at Will Vinton Studios and Pixar. At ILM, he participated on many of the major projects of the studio such as STAR WARS EPISODE 1 and 2 and also on the first three PIRATES OF THE CARIBBEAN. He receives an Oscar for his work on PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. He then work on IRON MAN and especially to RANGO and also SUPER 8.