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Simon Maddison joined Fuel VFX nearly 11 years ago. He has worked on projects like FARSCAPE or RIVERWORLD. Then he will oversee the effects of CHARLOTTE'S WEB or BEDTIME STORIES. In the following interview, he talks about his work on COWBOYS & ALIENS.

Angela Barson worked almost eight years at MPC, starting with compositing (TROY and CHARLIE AND THE CHOCOLATE FACTORY) and ending as VFX supervisor for films like CASINO ROYALE and QUANTUM OF SOLACE. In 2009, she founded BlueBolt with Lucy Ainsworth-Taylor and Chas Jarrett. Since then she has overseen the effects of films such as JANE EYRE or FAST FIVE.

Ed Bruce has worked for many years at Screen Scene. He started as an 3D artist, then Head of 3D and finally as VFX Supervisor. He worked on projects like the SILENT CITY, MY BOY JACK and ALBERT NOBBS Nobbs. In the following interview, he talks about his work on the TV series GAME OF THRONES.

Dan Lemmon began his career with TERMINATOR 2 3-D at Digital Domain. At the same place, he will also work on TITANIC, FIGHT CLUB or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will work on two other THE LORD OF THE RINGS films at Weta Digital. In 2007, he is VFX supervisor for 30 DAYS OF NIGHT. Then follow up with ENCHANTED, JUMPER and AVATAR.

After telling us about his work at Double Negative on KICK ASS, Mattias Lindahl is back on The Art of VFX to tell us about his new project, ATTACK THE BLOCK, this time at Fido in Sweden.

Phil Jones has been evolving for over 10 years in VFX. He worked at Technicolor and Toyox. In 2007, he left for China to support the launch of Technicolor Beijing. He oversees the effects of such films as THE BANQUET, KUNG FU DUNK, THE FOUNTAIN, or 2012. In the following interview, he talks about his work on AFTERSHOCK.

Ajoy Mani began his career at Available Light Ltd where he worked on projects such as BLUES BROTHERS 2000 or MY FAVORITE MARTIAN. In 2007 he joined the teams of Worldwide FX to work on RIGHTEOUS KILL as VFX supervisor. Since then he oversaw the effects of films like THE MECHANIC or DRIVE ANGRY. In the following interview, he talks about his work on CONAN THE BARBARIAN.

Roger Guyett began his career in London and then went to America and worked at PDI before joining ILM. He will work on projects like CASPER, TWISTER or MARS ATTACKS! He will oversee the VFX for two Harry Potter (HARRY POTTER AND THE PHILOSOPHER'S STONE and HARRY POTTER AND THE PRISONER OF AZKABAN), STAR WARS EPISODE III: REVENGE OF THE SITH or STAR TREK. He received a BAFTA for Best Visual Effects for SAVING PRIVATE RYAN.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

Scott Farrar began his VFX career with STAR TREK: THE MOTION PICTURE. He joined ILM in 1981 and works on most legendary projects of the studio like the BACK TO THE FUTURE trilogy, WILLOW, WHO FRAMED ROGER RABBIT or JURASSIC PARK. As a VFX supervisor, he worked on movies like BACKDRAFT, MINORITY REPORT or the TRANSFORMERS trilogy. He received an Oscar for Best Visual Effects for COCOON.