x-men - résultats de la recherche

Stephane Ceretti is back on The Art of VFX. After PRINCE OF PERSIA and X-MEN FIRST CLASS, he talks to us about his work on set on CAPTAIN AMERICA.

Robert Nederhorst worked since 10 years in the VFX. He has participated on projects like X-MEN, THE DAY AFTER TOMORROW or THE BOOK OF ELI. He joined Svengali FX in 2010 and oversees the effects of IRON MAN 2 and THE LAST AIRBENDER. In the following interview, he talks about his work on PRIEST.

Paul Butterworth has worked at Animal Logic in 1993 as compositing artist and later became the first Australian VFX supervisor! He also directed numerous commercials and do a lot of matte paintings. In 1998, he oversee 1300 shots in 8 months for the TV series FARSCAPE. In 2000, he founded with Dave Morley, Andrew Hellen, Simon Maddison and Jason Bath, the studio Fuel VFX. He oversaw the effects of X-MEN ORIGINS: WOLVERINE and is currently working on Ridley Scott's PROMETHEUS. In the following interview, he talks about his work on THOR.

Trained at the Royal College of Art, Henry Hobson joined Prologue where he created the titles of many films such as SHERLOCK HOLMES, THE WALKING DEAD or THE THING. In the following interview, he discusses his work on RANGO.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

After working many years at BUF on projects such as ALEXANDER, MATRIX 3, HARRY POTTER 4, BATMAN BEGINS, or THE PRESTIGE, Nicolas Bonnell and Laurens Ehrmann founded in 2007 the VFX studio Plug Effects. They have since worked on films like THE DIVIDE and TWILIGHT ECLIPSE.

Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

Before joining Luma Pictures in 2003, Vincent Cirelli worked at Stan Winston Studios as technical director. At Luma, he oversaw movies such as NO COUNTRY FOR OLD MEN, HANCOCK, HARRY POTTER AND THE HALF-BLOOD PRINCE or WOLVERINE.

Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.

Matt Johnson work since over 15 years in visual effects at Cinesite. He participated in many projects such as EVENT HORIZON and LOST IN SPACE. And supervised a large number of show from KING ARTHUR to THE GOLDEN COMPASS passing by V FOR VENDETTA.