x-men - résultats de la recherche

Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.

Ash Thorp worked as art director and designer for many years. He has participated on films like THE TOURIST, X-MEN: FIRST CLASS, THOR, PROMETHEUS or THE AMAZING SPIDER-MAN. In the following interview, he explains the many challenges on TOTAL RECALL.

Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.

Jay Barton worked over 14 years at Digital Domain and participated in many projects such as STAR TREK: NEMESIS or TRON LEGACY. He oversaw the effects of X-MEN FIRST CLASS. He speaks here about the invisible effects for ROCK OF AGES.

The Imaging the Future program has just been announced! Do not miss the July 11th conferences with the presence of Cinesite, MPC and Double Negative who will speak about JOHN CARTER. And the will be also the masterclass with Michael Fink.

Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.

Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.

From 8 to 11th Mai took place the FMX 2012 with an impressive selection of high quality conferences. This was an great opportunity to meet many artists interviewed here and also make beautiful meetings. A big thanks to the FMX staffs!

Kyle Cooper has designed and directed over 150 film title sequences, the most known is SEVEN. Among his recent work, we find THE WALKING DEAD, FINAL DESTINATION 5 or X-MEN FIRST CLASS. He is the founder of the studios Imaginary Forces and Prologue Films. Ahmet Ahmet worked over 10 years in the creation of film title sequences. He handled the title of movies such as THE ONE, SPIDER-MAN, IMAGINE THAT or THE TWILIGHT SAGA: ECLIPSE. In the following interview, they talk about their work on MISSION IMPOSSIBLE: GHOST PROTOCOL.

I had the pleasure to interview Alessandro Cioffi in 2010 for his work on NINJA ASSASSIN at Trixter. Since then he has worked on films like PERCY JACKSON, IRON MAN 2 or X-MEN FIRST CLASS. In the following interview, Alessandro talks about his work on CAPTAIN AMERICA.