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Ash Thorp worked as art director and designer for many years. He has participated on films like THE TOURIST, X-MEN: FIRST CLASS, THOR, PROMETHEUS or THE AMAZING SPIDER-MAN. In the following interview, he explains the many challenges on TOTAL RECALL.

Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.

Tim Miller is the co-founder and creative director of Blur Studio. He directed the DANTE'S INFERNO TV spot for the Superbowl and more than 10 minutes of cinematic of this game. He has also directed the game cinematic for DC UNIVERSE ONLINE. In the following interview, he talks about his work on the main title of David Fincher's THE GIRL WITH THE DRAGON TATTOO.

Matt Aitken joined Weta Digital just after its creation in 1994. He participated in all major projects of the studio as THE FRIGHTENERS, the LORD OF THE RINGS trilogy, I ROBOT, KING KONG or AVATAR. He won two VES Awards for KING KONG and THE LORD OF THE RINGS: THE TWO TOWERS. In the following interview, he talks about his work on THE ADVENTURES OF TINTIN.

Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.

Takashi Yamazaki started his career in 1986 at Shirogumi as a model artist, then it will work as a VFX designer before becoming director. It will directs movies like JUVENILE, RETURNER or DEMON WARRIOR 3. He is the VFX supervisor for most of his films. In the following interview, he talks about his work on the space opera SPACE BATTLESHIP YAMATO.

Kirk Shintani worked for many years as a freelancer before joining teams of a52/elastic. In the following interview, he talks about his work on the main title of GAME OF THRONES for which he received an Emmy Award.

Doug Campbell began working in visual effects since over 25 years. He participated in many TV series like STARGATE: SG-1, STARGATE: ATLANTIS or KINGDOM HOSPITAL. At Spin VFX, he worked on films such as OUTLANDER, LEGION or BATTLE LOS ANGELES. In the following interview, he talks about his supervision work for the series The Borgias for which he received an Emmy Awards nomination.

Paul Butterworth has worked at Animal Logic in 1993 as compositing artist and later became the first Australian VFX supervisor! He also directed numerous commercials and do a lot of matte paintings. In 1998, he oversee 1300 shots in 8 months for the TV series FARSCAPE. In 2000, he founded with Dave Morley, Andrew Hellen, Simon Maddison and Jason Bath, the studio Fuel VFX. He oversaw the effects of X-MEN ORIGINS: WOLVERINE and is currently working on Ridley Scott's PROMETHEUS. In the following interview, he talks about his work on THOR.

Greg Oehler worked at CIS Hollywood for over 15 years and has participated in many projects such as TITANIC, THE BOURNE ULTIMATUM, WATCHMEN or INVICTUS.