Interviews

The team of Pixomondo (composed of Nhat Phong Tran (VFX Supervisor), Daniel Carbo (VFX Producer) and Matt McClurg (Previz Supervisor)) take us into deep space about their work on the second season of THE ORVILLE:

In 2017, Jessica Norman explained the work of MPC on WONDER WOMAN. She talks to us today about her work on MALEFICENT: MISTRESS OF EVIL.

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

Michael Enriquez began his career in visual effects more than 20 years ago. He worked on many projects like BATTLESTAR GALACTICA, HEROES and THE WALKING DEAD. As a VFX Supervisor, he took care of the effects of projects such as WESTWORLD, THE HOT ZONE and BIG LITTLE LIES.

In 2015, Matt Kasmir explained the work of Nvizible work on KINGSMAN: THE SECRET SERVICE. He then took care of the effects of films like EDDIE THE EAGLE and LEAGUE OF GODS. After SUBURBICON, CATCH-22 is his second collaboration with director George Clooney.

In 2017, Christian Irles explained the work of Cinesite on ASSASSIN'S CREED. He then works on AMERICAN GODS and MARY POPPINS RETURNS. He joined Image Engine in 2018.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

Ten years ago, Ged Wright told us about the work of DNEG on IRON MAN 2. He then worked on many films such as ATTACK THE BLOCK, MAN OF STEEL, GODZILLA and ASSASSIN'S CREED.

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

The team of Pixomondo composed of Derek Spears (VFX Supervisor), Tefft Smith II (Head of Visualization) and Phi Van Le (VFX Producer) talk about their work on MIDWAY.