THE THING: Kyle Yoneda – Effects Supervisor – Mr. X
Kyle Yoneda has worked for over 10 years in visual effects. In 2005 he joined the team of Mr. X and works on projects such as SHOOT 'EM UP, RESIDENT EVIL: EXTINCTION, Whiteout or SCOTT PILGRIM. In the following interview, he talks about his work on THE THING.
JOHNNY ENGLISH REBORN: Rob Duncan – VFX Supervisor – Framestore
Rob Duncan has worked for nearly 15 years at Framestore. He has participated in projects like LOST IN SPACE, THE BEACH or STALINGRAD. As a VFX supervisor, he worked on films such as BLADE II, UNDERWORLD, AUSTRALIA or WHERE THE WILD THINGS ARE. In the following interview, he talks about his work on JOHNNY ENGLISH REBORN.
CAPTAIN AMERICA – THE FIRST AVENGER: Alessandro Cioffi – VFX Supervisor...
I had the pleasure to interview Alessandro Cioffi in 2010 for his work on NINJA ASSASSIN at Trixter. Since then he has worked on films like PERCY JACKSON, IRON MAN 2 or X-MEN FIRST CLASS. In the following interview, Alessandro talks about his work on CAPTAIN AMERICA.
THE THREE MUSKETEERS: Eric Robinson – Digital Effects Supervisor – Mr....
After working several years at IMAX on projects such as BATMAN BEGINS, V FOR VENDETTA or 300, Eric Robinson joined the team of Mr. X in 2010. He will participate in such films as RESIDENT EVIL: AFTERLIFE and HANNA. In the following interview, he talks about his work on THE THREE MUSKETEERS.
DON’T BE AFRAID OF THE DARK: Glenn Melenhorst – VFX Supervisor...
After working as an Cel animator, Glenn Melenhorst joined the team of Iloura's. He worked on films such as THE BANK JOB or CHARLOTTE'S WEB. Then he supervised the effects of AUSTRALIA, the TV series THE PACIFIC, PRIEST or KILLER ELITE. In the following interview, he talks about his work DO NOT BE AFRAID OF THE DARK.
CAPTAIN AMERICA – THE FIRST AVENGER: Max Ivins – VFX Supervisor...
Max Ivins worked for more than 15 years in the VFX. Before joining the staff of Look Effects, he has worked at Digital Domain, Blue Sky / VIFX or Rhythm & Hues. He has participated in projects such as ARMAGEDDON, APOLLO 13, or BLOOD DIAMOND. He oversaw the effects of films like SCOOBY DOO 2, BEDTIME STORIES, or AVATAR. In the following interview, he talks about his work on CAPTAIN AMERICA.
SHARK NIGHT 3D: Petar Jovovic – VFX Supervisor – Crater Studio
Petar Jovovic founded with several artists and friends, Crater Studio in 2005. He has since worked on films like TEARS FOR SALE, THE READER or THE OTHER GUYS. In the following interview, he talks about his work on SHARK NIGHT 3D.
FINAL DESTINATION 5: Chad Wiebe – VFX Supervisor – Prime Focus
Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.
GAME OF THRONES: Kirk Shintani – CG Supervisor – a52 /...
Kirk Shintani worked for many years as a freelancer before joining teams of a52/elastic. In the following interview, he talks about his work on the main title of GAME OF THRONES for which he received an Emmy Award.
COWBOYS & ALIENS: Simon Maddison – VFX Supervisor – Fuel VFX
Simon Maddison joined Fuel VFX nearly 11 years ago. He has worked on projects like FARSCAPE or RIVERWORLD. Then he will oversee the effects of CHARLOTTE'S WEB or BEDTIME STORIES. In the following interview, he talks about his work on COWBOYS & ALIENS.