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John Moffat joined Double Negative in 1998 and participated on most projects of the studio such as PITCH BLACK, ENEMY AT THE GATES, THE CHRONICLES OF RIDDICK or ATONEMENT. He also participated on several HARRY POTTER which he oversaw the effects of the last 3 episodes.
Since his last appearance on The Art of VFX for GAME OF THRONES, Angela Barson worked on films like SHERLOCK HOLMES: A GAME OF SHADOWS and THE IRON LADY and also on the TV series GREAT EXPECTATIONS. She talks here about the many challenges for SNOW WHITE AND THE HUNTSMAN.
After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.
Since its passage in The Art of VFX for SUCKER PUNCH, Bryan Hirota worked on TREE OF LIFE and then joined Pixomondo to oversee the effects of films such as GREEN LANTERN, JOURNEY 2: THE MYSTERIOUS ISLAND and WRATH OF THE TITANS.
Geoff Scott has over 20 years experience in visual effects. He has worked in many studios such as Toybox, Mr. X and Intelligent Creatures....
Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES. Terron Pratt began his career in VFX in 2003 at Digiscope. He has worked on numerous projects such as PUSHING DAISIES, SNOW WHITE AND THE HUNTSMAN, 300: RISE OF AN EMPIRE and BLACK SAILS.
In 2017, Kelvin McIlwain explained his work on THE FATE OF THE FURIOUS. He talks to us today about the many challenges on AQUAMAN.
Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.
Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.
Here is the recap of my interviews of the week #37. So you won't miss any of them. THE EXPENDABLES 3: Nigel Denton-Howes - VFX...
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