book of eli - résultats de la recherche

Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.

After producing the visual effects for the films Asterix at the Olympic Games and Asterix & Obelix: God Save Britannia, the MPC Paris team...

In 2021, Hanzhi Tang explained the visual effects work created by Digital Domain on Black Widow. He then worked on Shang-Chi and the Legend...

Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...

In 2019, Alexis Wajsbrot explained the work made by Framestore on Spider-Man: Far From Home. He then worked on How I became a superhero,...

Back in 2019, Olivier Dumont had explained to us the work of visual effects on Ford v Ferrari. He then worked on The New...

Janek Sirrs has over 30 years of experience in visual effects. He has worked on many films such as The Matrix, Iron Man 2,...

Louis Laflamme-Fillion has been working in visual effects for over 10 years. He has worked in many studios such as Mokko Studio, MPC, Fin...

Earlier in 2022, Oliver Schulz explained to us the visual effects work of RISE made for The King's Man. Today he talks about his...

Back in 2018, Christian Manz explained the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He's back today to tell us in...