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Platige Image have created an excellent short film for METRO EXODUS. Let's discover how they did this beautiful cinematic (click on the picture below...
French studio CGEV presents how they recreated Paris at the period of the First Empire for THE EMPEROR OF PARIS (L'EMPEREUR DE PARIS): WANT TO...
The Mill presents their work on this full CG commercial for TOP ELEVEN Football Manager: TOP ELEVEN "Road to Glory" - Commercial WANT TO KNOW MORE? The...
Aurelie Lajoux began her visual effects career in the early 2000s at Duboi. At CGEV and as a VFX Supervisor, she took care of the effects of many movies such as BRICE 3, WHAT HAPPENED TO MONDAY, SANTA & CIE and VERSAILLES.
Nigel Denton-Howes told us about Prime Focus's work on THE EXPENDABLES 3 in 2014. He then joined Framestore and worked on AVENGERS: AGE OF ULTRON. He talks to us today about his work as Overall VFX Supervisor on MOWGLI - LEGEND OF THE JUNGLE. In 2014, Max Solomon told us about the work of Framestore on GRAVITY. He then works on JUPITER ASCENDING.
In 2017, Tom Proctor explained the work of DNEG on A CURE FOR WELLNESS. He then worked on JUSTICE LEAGUE. He talks to us today about his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, his first participation on a film from the Harry Potter universe.
In 2014, Nordin Rahhali explained the work of Method Studios on the remake of ROBOCOP. He then worked on many films such as HERCULES, INTO THE STORM, SAN ANDREAS, FANTASTIC BEASTS AND WHERE TO FIND THEM and GUARDIANS OF THE GALAXY VOL. 2.
In 2017, Andy Kind told us about Framestore's work on PADDINGTON 2. He explains today his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD. In 2016, Nicolas Chevallier explained the work of Cinesite on THE REVENANT. He then worked on X-MEN: APOCALYPSE, NOW YOU SEE ME 2 and BLACK SAILS. He joined Framestore in 2017.
Lars Andersen began his visual effects career in 2011 at Cutting Edge. He works on many films such as I, FRANKENSTEIN, PREDESTINATION and THE AGE OF ADALINE. He joined One of Us in 2016 and takes care of the effects of films like LIFE and THE CURRENT WAR.
Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.