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The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...

In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.

Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY. Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.

In 2018, John Likens explained to us the work of Method Studios on the opening and end titles sequences of DEADPOOL 2. He talks to us today about his work on the main title sequence of WARRIOR.

The Visual Effects Society have just announced the nominees for the The nominations for the 17th Annual VES Awards! Outstanding Visual Effects in a Photoreal...

José Manuel Weil started his career in visual effects in 2007 at Scanline VFX. He worked on 2012, THE AVENGERS, CLOUD ATLAS and SNOWPIERCER. As a VFX supervisor, he took care of the effects of movies like POINT BREAK, THE SHALLOWS and ROGUE ONE: A STAR WARS STORY.

In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.

James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD. Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.

Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10'000 BC, THE DARK KNIGHT, TERMINATOR GENISYS...

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.