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MARY POPPINS RETURNS: Matt Johnson – Overall VFX Supervisor

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In 2013, Matt Johnson explained the work of Cinesite on WORLD WAR Z. He then took care of the effects of films like JACK RYAN: SHADOW RECRUIT, INTO THE WOODS and NOW YOU SEE ME 2.

AQUAMAN: Josh Simmonds & Craig Wentworth – VFX Supervisors – Method...

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With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

BUMBLEBEE: Jason Smith – Overall VFX Supervisor – Industrial Light &...

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Jason Smith began his visual effects career in 2013 at Industrial Light & Magic. He has worked on many movies such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, TRANSFORMERS and RANGO. As Associate VFX Supervisor and VFX Supervisor, he took care of the effects of films like THE AVENGERS, WARCRAFT, KONG: SKULL ISLAND and TRANSFORMERS: THE LAST KNIGHT.

THE BALLAD OF BUSTER SCRUGGS: Alex Lemke & Michael Huber –...

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Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY. Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.

OUTLAW KING: Dan Bethell – VFX Supervisor – Method Studios

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Dan Bethell began his career in 2001 at MPC. He works in many studios such as Rising Sun Pictures, Iloura and Method Studios. He worked on films like BATMAN BEGINS, TERMINATOR SALVATION, SPIDER-MAN: HOMECOMING and THOR: RAGNAROK.

VENOM: Paul Franklin – Overall VFX Supervisor – DNEG

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In 2015, Paul Franklin talked to us about DNEG's work on INTERSTELLAR. He then worked on MISSION: IMPOSSIBLE - ROGUE NATION, THE ONES BELOW, CAPTAIN AMERICA: CIVIL WAR, BLADE RUNNER 2049 and FIRST MAN.

THE MEG: Sue Rowe – VFX Supervisor – Sony Pictures Imageworks

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In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks and took care of the effects of THE MEG.

SKYSCRAPER: Jason Billington – VFX Supervisor – Method Studios

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At the beginning of this year, Jason Billington had explained to us the work of Method Studios on BRIGHT. He talks to us today about his work on SKYSCRAPER.

Cinesite acquires Trixter!

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Big news! New acquisition inside the visual effects industry as Trixter is now part of Cinesite! Here is the official press release: TRIXTER, GERMANY’S LEADING VFX...

ANT-MAN AND THE WASP: Kevin Souls (VFX Supervisor), Brendan Seals (VFX...

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At the beginning of the year, Kevin Souls, Brendan Seals and Raphael A. Pimentel had explained the work of Luma Pictures on BLACK PANTHER. Brendan and Raphael then worked on A WRINKLE IN TIME. They talk to us today about their work on the new Marvel movie, ANT-MAN AND THE WASP.