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GHOST IN THE SHELL: Axel Bonami – VFX Supervisor – MPC

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Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.

PATRIOTS DAY: Sean Devereaux – VFX Supervisor & Co-founder – Zero...

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At the end of last year, Sean Devereaux, had explained to us the work of Zero VFX on THE MAGNIFICENT SEVEN. He talks to us today about his work on the invisible effects of PATRIOTS DAY.

ASSASSIN’S CREED: Christian Irles – VFX Supervisor – Cinesite

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In 2015, Christian Irles explained in detail about the work of MPC on INTO THE WOODS. He then took care of the visual effects of PAN and MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. He joined Cinesite in 2016 and worked on ASSASSIN'S CREED.

ARRIVAL: Ivan Moran – VFX Supervisor – Framestore

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Ivan Moran has worked in the visual effects for over 20 years. Before joining Framestore, he worked at Animal Logic and Weta Digital. He supervised the effects of many films such as THE SMURFS, THE SECRET LIFE OF WALTER MITTY, DRACULA UNTOLD and THE LEGEND OF TARZAN.

ARRIVAL: Louis Morin – Production VFX Supervisor

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In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.

DOCTOR STRANGE: Stephane Ceretti – Production VFX Supervisor

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Stephane Ceretti explained to us in details about his colossal work on GUARDIANS OF THE GALAXY in 2014. Today he talks about the many challenges encountered on DOCTOR STRANGE.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Jelmer Boskma – VFX Supervisor...

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Jelmer Boskma worked in many studios such as Frantic Films, Image Engine or MPC before joining Scanline VFX in 2015. His filmography includes films like WATCHMEN, DISTRICT 9, SIN CITY: A DAME TO KILL FOR or BATMAN V SUPERMAN: DAWN OF JUSTICE.

THE MAGNIFICENT SEVEN: Sean Devereaux – VFX Supervisor & Co-founder –...

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Sean Devereaux founded Zero VFX with Brian Drewes in 2010. THE MAGNIFICENT SEVEN is his third collaboration with director Antoine Fuqua.

THE BFG: Jamie Beard – Animation Supervisor – Weta Digital

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Before joining Weta Digital in 2003, Jamie Beard worked at Framestore and MPC. At Weta, Jamie worked on THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, THE ADVENTURES OF TINTIN or IRON MAN 3.

WARCRAFT: Jeff White – VFX Supervisor – Industrial Light & Magic

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Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.