life - résultats de la recherche

After starting his career in 1992 at Animal Logic, Richard Stammers joined MPC in 1995. He participates in many projects of the studio and work as vfx supervisor on such movies as WIMBLEDON, THE DA VINCI CODE and its sequel ANGELS & DEMONS or ELIZABETH: THE GOLDEN AGE. In the following interview, he talks about his work on ROBIN HOOD.

Jonathan Fawkner talks with us in the following interview about his work on SHERLOCK HOLMES, he has done in parallel with AVATAR. Note that Framestore received the VES AWARD for Outstanding Supporting Visual Effects in a Feature Motion Picture for SHERLOCK HOLMES.

Jeff Campbell has evolved in visual effects for 17 years as an animator, compositor, and VFX Supervisor. He has added his unique artistic vision to the benefit of numerous feature film projects such as FIGHT CLUB, X-MEN and THE CELL. He join Spin in 2003. His most recent VFX Supervisor credits include, 20th Century Fox’s “MAX PAYNE” and now Sony Screen Gems “LEGION”. He talks about his work on LEGION and the challenge that were the wings of the Angels.

Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.

Evolving for more than 10 years in the French and European postproduction, Hassan El Youbi worked in the most part of the Parisian studios as Mac Guff, Sparx or Duboi. He joins the teams of Weta Digital in summer 2008 for AVATAR.