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The Art of VFX celebrates its 1st birthday!
[lang_fr]Bonjour à tous,
Ce mardi marque le 1er anniversaire de The Art of VFX !
Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews.
Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents.
Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail !
J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion.
Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone,
This Tuesday marks the first anniversary of The Art of VFX!
I wanted to thank you all for reading me every week and to be so many to follow my interviews.
You are several hundred to come every week from more than 80 countries.
I am truly touched that you are so many to appreciate my work!
I am pleased to share the messages I've received for this event.
To read those comments, click here[/lang_en] 
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Matt Johnson work since over 15 years in visual effects at Cinesite. He participated in many projects such as EVENT HORIZON and LOST IN SPACE. And supervised a large number of show from KING ARTHUR to THE GOLDEN COMPASS passing by V FOR VENDETTA.
LOST Final Season: Adam Avitabile – VFX Supervisor – Look Effects
Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.
CENTURION: Jacob Otterström – VFX Supervisor – Filmgate
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.
THE SORCERER’S APPRENTICE: Adrian de Wet – VFX Supervisor – Double...
After several years at London Computer Film Company, Adrian de Wet goes to California at ESC Entertainment to work on THE MATRIX RELOADED. Back in London, he worked for many studios such as Framestore, MPC and Double Negative, that he joined in 2007.
JONAH HEX: Ara Khanikian – Lead Compositing – Rodeo FX
Ara Khanikian evolves in the midst of visual effects of Montreal since nearly 10 years, he has gone through many studios like Buzz Image, Hybride or Rodeo FX. He has worked on projects such as THE FOUNTAIN, 300, THE X-FILES, TERMINATOR SALVATION or TWILIGHT: ECLIPSE. In the following interview, he talks to us about his work on JONAH HEX.
PRINCE OF PERSIA: Sue Rowe – VFX Supervisor – Cinesite
Sue Rowe is one of the few female VFX supervisors in the business. She works at Cinesite for over 10 years and oversaw movies such as TROY, CHARLIE AND THE CHOCOLATE FACTORY, X-MEN 3 or THE GOLDEN COMPASS. She just finished the visual effects of PRINCE OF PERSIA.
THE CRAZIES: Josh Comen and Tim Carras – VFX producer and...
Founded in 2006 by Josh Comen, Comen VFX has participated in many projects including TV series like THE SOPRANOS or WEEDS and on movies such as A PERFECT GETAWAY, NEXT, RISE or THE SPY NEXT DOOR. In the following interview, they talk about their work on THE CRAZIES.
SHERLOCK HOLMES: Jonathan Fawkner – VFX Supervisor – Framestore
Jonathan Fawkner talks with us in the following interview about his work on SHERLOCK HOLMES, he has done in parallel with AVATAR.
Note that Framestore received the VES AWARD for Outstanding Supporting Visual Effects in a Feature Motion Picture for SHERLOCK HOLMES.
THE BOOK OF ELI: Deak Ferrand – Visual Effects Designer /...
Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.