green lantern - search results
If you're not happy with the results, please do another search
Karen Goulekas has over 25 years of experience in visual effects. She has worked in many studios such as Boss Film or Digital Domain. She has worked on such films as TRUE LIES, THE FIFTH ELEMENT or TITANIC. In 1998, she seized the opportunity to be Production VFX Supervisor on GODZILLA. She has since overseen the effects of movies like THE DAY AFTER TOMORROW or 10,000 BC.
After studying at the School of Art and Design of Zurich, Raffael Dickreuter joined the team of Pixel Liberation Front. He worked in many projects such as SUPERMAN RETURNS, TERMINATOR SALVATION, IRON MAN 2 or AVATAR. In 2002, he founded the reference site XSI Base.
Matt Welford began his career in the visual effects in 1999 at Mill Film as digital compositor. He then worked in many studios such as Weta Digital, MPC, Sony Pictures Imageworks before joining Pixomondo in 2017. As a VFX Supervisor, he took care of the effects of many movies like THE CHRONICLES OF NARNIA: THE VOYAGE OF DAWN TREADER, GREEN LANTERN and AMERICAN SNIPER.
In 2011, Raffael Dickreuter explained the work of Pixel Liberation Front on GREEN LANTERN. He has just finished a two years work on MAN OF STEEL and talks to us about his work on it and the use of the virtual camera.
Since its passage in The Art of VFX for SUCKER PUNCH, Bryan Hirota worked on TREE OF LIFE and then joined Pixomondo to oversee the effects of films such as GREEN LANTERN, JOURNEY 2: THE MYSTERIOUS ISLAND and WRATH OF THE TITANS.
Dennis Jones began his career in visual effects in London, working at Jim Henson's Creature Shop and Peerless Camera Company. He then joined Rising Sun Pictures in 2005 and worked on numerous films such as WATCHMEN, THE HUNGER GAMES, GRAVITY, X-MEN: DAYS OF FUTURE PAST and X-MEN: APOCALYPSE.
Here is the Masterclass of Karen Goulekas that I interviewed here for VFX work on GREEN LANTERN. This video was shot at IMAGING THE FUTURE...
Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.
Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.
Brendan Seals is working at Luma Pictures since several years. He has worked on many films such as GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON, DEADPOOL and DOCTOR STRANGE.
12Page 1 of 2