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SCOTT PILGRIM VS THE WORLD: Frazer Churchill – VFX Supervisor –...
After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Matt Johnson work since over 15 years in visual effects at Cinesite. He participated in many projects such as EVENT HORIZON and LOST IN SPACE. And supervised a large number of show from KING ARTHUR to THE GOLDEN COMPASS passing by V FOR VENDETTA.
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.
LOST Final Season: Adam Avitabile – VFX Supervisor – Look Effects
Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.
HARRY POTTER AND THE DEATHLY HALLOW Part 1: Andy Robinson –...
After working several years at Toybox and Mr. X, Andy Robinson joined Cinesite in 2004. He worked on numerous projects such as V FOR VENDETTA, THE GOLDEN COMPASS or THE DARK KNIGHT.
HARRY POTTER AND THE DEATHLY HALLOW Part 1: Holger Voss –...
After working several years with H5B5 and FrameFx, Holger Voss joined Cinesite in 2003 where he worked on a wide variety of projects for film such as THE GOLDEN COMPASS, MOON or V FOR VENDETTA but also on TV series like GENERATION KILL.
CENTURION: Jacob Otterström – VFX Supervisor – Filmgate
Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.
THE EXPENDABLES: Wes Caefer – VFX Supervisor – Worldwide FX
Wes Caefer is a self-taught artist. He oversaw several projects at Worldwide FX. THE EXPENDABLES is the second collaboration between Wes and Sylvester Stallone with RAMBO.
TOY STORY 3: Simon Christen – 3D Animator – Pixar
[lang_fr]Après ses études en Suisse, Simon Christen est venu en Californie pour étudier à l'Academy of Art University de San Francisco. Une fois diplômé, il a fait un premier travail chez Pixar puis ensuite chez Disney avant de retourner chez Pixar où il a travaillé depuis sur RATATOUILLE, UP et TOY STORY 3.
Dans l'interview qui suit, il nous parle de son travail sur TOY STORY 3.
Pour lire l'interview, cliquer ici.
// Version originale: Anglais[/lang_fr][lang_en]After his studies in Switzerland, Simon Christen came to California to study at the Academy of Art University in San Francisco. After graduation, he took a first job at Pixar and then Disney before going back at Pixar, where he has worked since on RATATOUILLE, UP and TOY STORY 3.
In the following interview, he talks to us about his work on TOY STORY 3.
To read the interview, click here.
// Original version: English.[/lang_en] 
INCEPTION: Paul Franklin – VFX Supervisor – Double Negative
After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.