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SEASON OF THE WITCH: Blair Clark – VFX Supervisor – Tippett...

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Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.

THE GREEN HORNET: Greg Oehler – VFX Supervisor – CIS Hollywood

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Greg Oehler worked at CIS Hollywood for over 15 years and has participated in many projects such as TITANIC, THE BOURNE ULTIMATUM, WATCHMEN or INVICTUS.

TRUE GRIT: Vincent Cirelli – VFX Supervisor – Luma Pictures

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After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.

THE GREEN HORNET: Vincent Cirelli – VFX Supervisor – Luma Pictures

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Before joining Luma Pictures in 2003, Vincent Cirelli worked at Stan Winston Studios as technical director. At Luma, he oversaw movies such as NO COUNTRY FOR OLD MEN, HANCOCK, HARRY POTTER AND THE HALF-BLOOD PRINCE or WOLVERINE.

HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX

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Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.

127 HOURS: Adam Gascoyne – VFX Supervisor & Co-founder – Union...

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Adam Gascoyne is working in visual effects for over 15 years. He worked at Cinesite, MPC or Rainmaker London. His filmography includes such films as DIE ANOTHER DAY, DA VINCI CODE or the TV series ROME. He oversaw a large number of films including SLUMDOG MILLIONAIRE, INKHEART or LA MOME. He founded Union VFX with Tim Caplan.

THE GREEN HORNET: Jamie Dixon – VFX Supervisor & Co-founder –...

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Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.

TRON LEGACY: Charlie Iturriaga – VFX Supervisor – Ollin Studio

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After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.

TRON LEGACY: Danny Yount – Creative Director – Prologue Films

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Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.

TRON LEGACY: Aaron Weintraub – VFX Supervisor – Mr. X

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Co-founder of the studio Mr. X in 2001, Aaron Weintraub oversees many films like A HISTORY OF VIOLENCE, SCOTT PILGRIM VS THE WORLD or REPO MEN. He recently completed the VFX supervision of THE FACTORY.