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Allen Maris began his career in visual effects more than 20 years ago. He has worked on many films such as THE CHRONICLES OF RIDDICK, PROMETHEUS, GODZILLA and A CURE FOR WELLNESS.

Max Riess began his career in visual effects more than 10 years at Pixomondo. He has worked on many projects such as HUGO, STAR TREK INTO DARKNESS, GAME OF THRONES and IRON SKY 2.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

Chas Jarrett began his visual effects career more than 20 years ago at MPC. He took care of the effects of many films such as CHARLIE AND THE CHOCOLATE FACTORY, POSEIDON, SHERLOCK HOLMES and LOGAN.

Carlos Ciudad began his career in visual effects at Framestore in 2013. He then worked at MPC and joined the teams of DNEG in 2017. He has worked on many films such as THE JUNGLE BOOK, ALIEN: COVENANT, VENOM and CAPTAIN MARVEL.

Julius Lechner began his career in visual effects a decade ago. He has worked in many studios such as Pixomondo, Industrial Light & Magic and Scanline VFX. He has worked on many films like IRON MAN 3, TEENAGE MUTANT NINJA TURTLES, JUSTICE LEAGUE and AQUAMAN.

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

In 2017, Alexis Wajsbrot explained the work of Framestore on THOR: RAGNAROK. He is back in the MCU with SPIDER-MAN: FAR FROM HOME.

Francis Puthanangadi began his career in visual effects in 1998 and joined Digital Domain in 2006. He has worked on many films such as TRON: LEGACY, IRON MAN 3, AVENGERS: INFINITY WAR and AQUAMAN.

In 2016, Pete Dionne explained to us the work of MPC on PASSENGERS. He then took care of the effects of A WRINKLE IN TIME.