bright - résultats de la recherche

Last year Stephan Fleet explained to us in detail his work on the first season of THE BOYS. He is back today to tell us about the new season and its challenges.

Last year Oliver Atherton explained in detail the work of DNEG on THE KING. He is back today to take us into space and tell us about AWAY.

Michael Shelton has worked in many areas of visual effects for over 30 years. He joins the Pixomondo teams in 2017. As a VFX supervisor, he has worked on projects such as HERE AND NOW, MARY POPPINS RETURNS and GOLIATH.

In 2019, Everett Burrell had explained to us his work on the 1st season of THE UMBRELLA ACADEMY. He is back today to tell us about the new season of this particular family.

Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.

The Visual Effects Society have announced the nominees for the 18th Annual VES Awards! // Outstanding Visual Effects in a Photoreal Feature ALITA: BATTLE ANGEL Richard Hollander,...

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.

In 2017, Guy Williams explained the work of Weta Digital on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on GEMINI MAN.

In 2018, Jedediah Smith explained the work of Method Studios on PACIFIC RIM: UPRISING. He then worked on THE OA and talks today about AD ASTRA.