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ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...
Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.
WARCRAFT: Hal Hickel – Animation Supervisor – Industrial Light & Magic
In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...
GODS OF EGYPT: Eric Durst – Overall VFX Supervisor
After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.
DEADPOOL: Wayne Brinton – VFX Supervisor – Rodeo FX
In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.
THE REVENANT: Nicolas Chevallier – VFX Supervisor – Cinesite
Nicolas Chevalier began his career in visual effects in 2001 at Buf Compagnie, he worked on many films such as BATMAN BEGINS, SILENT HILL or THOR. He moved two years in London at BlueBolt and then joined MPC in Montreal in 2014 for X-MEN: DAYS OF FUTURE PAST. In 2015, he comes to Cinesite to take care of the effects of THE REVENANT.
TERMINATOR GENISYS: Sheldon Stopsack – VFX Supervisor – MPC
Stopsack Sheldon began his career in the visual effects in 2002 at Ambient Entertainment. He joined MPC in 2007 and worked on films such as CLASH OF THE TITANS, PROMETHEUS, SKYFALL or X-MEN: DAYS OF FUTURE PAST.
HOW TO TRAIN YOUR DRAGON 2: Simon Otto – Head of...
n 2010, Simon Otto had explained in detail about his work at Dreamworks Animation on the first episode of HOW TO TRAIN YOUR DRAGON. He then worked on several shorts inspired by this film. He is now back with the second episode.
X-MEN – DAYS OF FUTURE PAST: Lou Pecora – VFX Supervisor...
Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.
X-MEN – DAYS OF FUTURE PAST: Richard Stammers – Production VFX...
In 2010, Richard Stammers had explained to us the work of MPC on ROBIN HOOD, he then oversaw the effects of PROMETHEUS and THE COUNSELOR. Today he explains his work on his first superhero movie.
NOAH: Philippe Rebours – Associate VFX Supervisor – Industrial Light &...
Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...