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The Nun II: Interview with MPC and BUF teams

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The MPC Paris teams worked on over 70 VFX shots over a period of 7 months. Here are the experiences shared by Laurent Creusot...

Transformers – Rise of the Beasts: Gary Brozenich – Production VFX...

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In 2017, Gary Brozenich told us about the visual effects work for Pirates of the Caribbean: Dead Men Tell No Tales. He then took...

Black Panther – Wakanda Forever: Chris White (VFX Supervisor) & Sidney...

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At the end of 2022, Chris White explained the work of Weta FX on the 3rd season of The Umbrella Academy. He also worked...

She-Hulk – Attorney at Law: Shannon Justison – Production VFX Supervisor

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Shannon Justison has been working in animation and visual effects for almost 20 years. She has worked at The Third Floor for over 13...

Thor – Love and Thunder: Joanna Davison (CG Supervisor) and Tim...

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Joanna Davison started her career in visual effects in 2005 at Framestore. She joined the Weta FX team in 2011. She has worked on...

Bullet Train: Stephen James – VFX Supervisor – DNEG

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Stephen James started his career in visual effects in 2005 at DNEG. He went on to work at Digital Domain, Image Engine and Scanline...

Fantastic Beasts – The Secrets of Dumbledore: Christian Manz – Production...

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Back in 2018, Christian Manz explained the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He's back today to tell us in...

The Wheel of Time: Julian Parry – Overall VFX Supervisor

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Back in 2020, Julian Parry explained the creation of the visual effects for the first season of The Witcher. Today he talks to us...

No Time To Die: Salvador Zalvidea – VFX Supervisor – Cinesite

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In 2018, Salvador Zalvidea explained the work of Cinesite on Adrift. He went on to work on Starfish, Outlander and The Bourne Stuntacular. How did...

Sweet Tooth: Matthew Bramante (On Set VFX Supervisor) & Rob Price...

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Matthew Bramante started his career in visual effects in 2007 at Digital Domain. He has worked on many shows such as Real Steel, Iron...