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TOTAL RECALL: Sean Farrow – VFX Supervisor – Lipsync Post
Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.
TOTAL RECALL: Rudi Holzapfel – VFX Supervisor – Baseblack
For over 14 years, Rudi Holzapfel worked in many studios such as Framestore, Double Negative, MPC, Rising Sun Pictures and recently Baseblack. He has participated in numerous projects such as PITCH BLACK, TROY, BATMAN BEGINS, AVATAR, or CLASH OF THE TITANS.
TOTAL RECALL: Ash Thorp – Creative Director / Designer
Ash Thorp worked as art director and designer for many years. He has participated on films like THE TOURIST, X-MEN: FIRST CLASS, THOR, PROMETHEUS or THE AMAZING SPIDER-MAN. In the following interview, he explains the many challenges on TOTAL RECALL.
BRAVE: Claudia Chung – Simulation Supervisor – Pixar
Claudia Chung joined Pixar in 2003 to work on FINDING NEMO. She then worked on THE INCREDIBLES, RATATOUILLE and UP. In the following interview, Claudia talks about the many challenges on BRAVE and especially the hair.
PROMETHEUS: Charley Henley – VFX Supervisor – MPC
Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.
PROMETHEUS: Paul Butterworth – VFX Supervisor – Fuel VFX
Last year, Paul Butterworth talked to us about his work on THOR. This time he explains the wonderful work of Fuel VFX on the film that marks the return to the SF of Ridley Scott, PROMETHEUS.
RUST & BONE: Cedric Fayolle – VFX Supervisor – Mikros Image
Since my interview of Cédric Fayolle for GAINSBOURG, he has worked on over a dozen films including GARDIENS DE L'ORDRE, 2 DAYS IN NEW YORK or BELOVED. In the following interview, he talks about his passion of working with directors and the many challenges of RUST & BONE.
THE AVENGERS: Guy Williams – VFX Supervisor – Weta Digital
Guy Williams started in visual effects in 1993 and worked on films such as DROP ZONE MARS ATTACKS! or WING COMMANDER. In 1999, he joined Weta Digital and work on the LORD OF THE RINGS trilogy, I ROBOT or KING KONG. As a VFX supervisor, he took care of AVATAR, THE A-TEAM or X-MEN FIRST CLASS.
THE AVENGERS: Jeff White – VFX Supervisor – ILM
Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.
BATTLESHIP: Grady Cofer – VFX Supervisor – ILM
Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.