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Tim Alexander started his career in the VFX in 1995 at Buena Vista Visual Effects. He then joined ILM in 1997 and worked on films like CONTACT, TITANIC, STAR WARS: EPISODE I - THE PHANTOM MENACE or DEEP BLUE SEA. In 2000, he became VFX Supervisor and worked on films such as SKY CAPTAIN AND THE WORLD OF TOMORROW, three HARRY POTTER movies, THE CHRONICLES SPIDERWICK or RANGO.

In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.

The Platige Image team is back on The Art of VFX. They have explained their work on THE WITCHER 2 and CYBERPUNK 2077, now they talks about the creation of the teaser for THE WITCHER 3: WILD HUNT.

Erik Nordby has over 10 years in visual effects. He has worked on such films as THE BUTTERFLY EFFECT or HORRIBILIS. As VFX Supervisor, he take care of the effects for films like THE A-TEAM, DARK SHADOWS or FAST & FURIOUS 6.

Jan Krupp is working in the visual effects for more than 14 years. At Scanline VFX, He participated in many films such as DOWNFALL, THE AVENGERS or CLOUD ATLAS.

Sebastien Moreau began his career in the post-production in 1993. In 2001, he joined the team of ILM and work on movies like VAN HELSING, STAR WARS: EPISODE III - REVENGE OF THE SITH, WAR OF THE WORLDS or PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. In 2007, he founded Rodeo FX in Montreal and supervised the effects of films such as SOURCE CODE, IMMORTALS, RED TAILS or MIRROR MIRROR. To discuss the work of Rodeo FX on PACIFIC RIM, he is accompanied by Matthew Rouleau and Fabrice Vienne.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

In 2012, Martin Hill had explained to us the work of Weta Digital on PROMETHEUS. He then worked on ABRAHAM LINCOLN: VAMPIRE HUNTER and THE HOBBIT: AN UNEXPECTED JOURNEY.

James Rogers had explained us about his work on DAYBREAKERS. He then joined Method Studios and worked on many projects like THE HUNTER, ARGO or SEVEN PSYCHOPATHS.

Tim Crosbie began his career in the VFX more than 15 years ago and has worked on movies such as WHAT DREAMS MAY COME, THE MATRIX or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Tim is a part of the Rising Sun Pictures team for over ten years and supervised the effects of films like THE LAST SAMURAI, SUPERMAN RETURNS, PROMETHEUS or THE GREAT GATSBY.