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Trey Harrell began his career at Mr. X more than 8 years ago. He has worked on many projects such as TRON LEGACY, THE THREE MUSKETEERS, POMPEII and RESIDENT EVIL: THE FINAL CHAPTER. He talks to us today about his work on THE SHAPE OF WATER, his third show with director Guillermo del Toro.

Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

Vincent Cirelli explained to us about the work of Luma Pictures on CAPTAIN AMERICA: CIVIL WAR earlier this year. He is now talking about his work on DOCTOR STRANGE.

In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...

Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.

In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

Here are the nominations for the 13th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture DAWN OF...

300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with Sheldon Stopsack and Adam Davis (CG Supervisors) – MPC In 2012, Charley Henley had...

Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.