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After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

William Lebeda had designed titles for over 14 years. He created the titles for THE VILLAGE, SHOOT EM UP, THE HAPPENING or DRAG ME TO HELL. Now he tells us in detail the titles work of Picture Mill on R.I.P.D.

In 2012, Martin Hill had explained to us the work of Weta Digital on PROMETHEUS. He then worked on ABRAHAM LINCOLN: VAMPIRE HUNTER and THE HOBBIT: AN UNEXPECTED JOURNEY.

Glenn Melenhorst spoke about the effects of Iloura for DON'T BE AFRAID OF THE DARK in 2010, then he worked on films such as PRIEST, TED or AFTER EARTH.

Tim Crosbie began his career in the VFX more than 15 years ago and has worked on movies such as WHAT DREAMS MAY COME, THE MATRIX or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. Tim is a part of the Rising Sun Pictures team for over ten years and supervised the effects of films like THE LAST SAMURAI, SUPERMAN RETURNS, PROMETHEUS or THE GREAT GATSBY.

Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.

During his last visit, Aaron Weintraub explained the work of Mr. X on TRON: LEGACY. He then worked on projects like THE THREE MUSKETEERS, TWILIGHT: BREAKING DAWN - PART 1, THE THING, RESIDENT EVIL: RETRIBUTION and MAMA . Craig Calvert worked in the VFX for over 13 years. He has worked on projects such as I, ROBOT, TROPIC THUNDER or ANGELS & DEMONS. He then joined Mr. X in 2010 and participates in films like REPO MEN, TRON: LEGACY, THE VOW or RESIDENT EVIL: AFTERLIFE.

John Fragomeni, President of Mirada, has been with the studio since its inception in 2010 and oversees all aspects of the studio’s diverse portfolio and developing technology. Most notable of his feature film visual effects credits include the PIRATES OF THE CARIBBEAN franchise and TERMINATOR SALVATION, which he supervised while at Asylum. He has also worked on commercial projects for some of the biggest Fortune 500 companies - as a Director and as a VFX Supervisor - and served as Head of Visual Effects at Motion Theory (MTh). Zach Tucker has supervised countless teams of artists and worked alongside world-class directors for films such as G-FORCE, THE SEEKER: THE DARK IS RISING, DEJA VU and APOCALYPTO. As a Visual Effects Supervisor at Mirada, he brings extensive technical expertise to high-profile feature film and advertising projects, including work for Expedia, Tide, Centrum, and a Super Bowl spot for Wrigley’s “5 Gum.” Tucker has also worked for Digital Domain and Asylum.

John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.

Jessica Norman began her career in visual effects in 2001 at MPC. She has worked on projects such as LARA CROFT: TOMB RAIDER, ALIEN VS PREDATOR, CORPSE BRIDE, many HARRY POTTER or NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN.