see - résultats de la recherche

The Platige Image team is back on The Art of VFX. They have explained their work on THE WITCHER 2 and CYBERPUNK 2077, now they talks about the creation of the teaser for THE WITCHER 3: WILD HUNT.

Last year, Aleksandar Pejic explained to us the work of Prime Focus World on TOTAL RECALL. Now he talks about his work on WHITE HOUSE DOWN.

Erik Nordby has over 10 years in visual effects. He has worked on such films as THE BUTTERFLY EFFECT or HORRIBILIS. As VFX Supervisor, he take care of the effects for films like THE A-TEAM, DARK SHADOWS or FAST & FURIOUS 6.

After explaining the work of Spin VFX on the TV series THE BORGIAS, Doug Campbell has worked as a senior compositor on THE TWILIGHT SAGA: BREAKING DAWN - PART 2 and JACK REACHER. He now talks about his work on the third season of GAME OF THRONES.

After explaining to us about his work on the titles for OBLIVION, Danny Yount is back and tell us now about his work on IRON MAN 3 which marks his second collaboration with the director Shane Black.

Sebastien Moreau began his career in the post-production in 1993. In 2001, he joined the team of ILM and work on movies like VAN HELSING, STAR WARS: EPISODE III - REVENGE OF THE SITH, WAR OF THE WORLDS or PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. In 2007, he founded Rodeo FX in Montreal and supervised the effects of films such as SOURCE CODE, IMMORTALS, RED TAILS or MIRROR MIRROR. To discuss the work of Rodeo FX on PACIFIC RIM, he is accompanied by Matthew Rouleau and Fabrice Vienne.

Last year, Mark Breakspear explained the work of Method Studios on DARK SHADOWS. He then worked on films such as THE TWILIGHT SAGA: BREAKING DAWN - PART 2, THE GREAT GATSBY and SNOWPIERCER.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

William Lebeda had designed titles for over 14 years. He created the titles for THE VILLAGE, SHOOT EM UP, THE HAPPENING or DRAG ME TO HELL. Now he tells us in detail the titles work of Picture Mill on R.I.P.D.

In 2012, Martin Hill had explained to us the work of Weta Digital on PROMETHEUS. He then worked on ABRAHAM LINCOLN: VAMPIRE HUNTER and THE HOBBIT: AN UNEXPECTED JOURNEY.