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In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.

Since his last interview here, Dan Schrecker worked on several projects such as THE SECRET LIFE OF WALTER MITTY and GODS BEHAVING BADLY. NOAH is the occasion to work again with director Darren Aronofsky since BLACK SWAN.

After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.

Before arriving at Cinesite in 2013, Richard Clarke has worked in many studios such as Industrial Light & Magic, CFC and Double Negative. He has participated in many films like STAR WARS: EPISODE II - ATTACK OF THE CLONES, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and many HARRY POTTER (like HARRY POTTER AND THE GOBLET OF FIRE or HARRY POTTER AND THE ORDER OF THE PHOENIX).

Nvizible will open a studio in Belfast! Here is the press release: As part of this expansion former Head of Production, Kris Wright has been promoted...

In his last interview, Jon Neill had explained in details the work of Cinesite on SKYFALL. Now, he tells us about his work on THE MONUMENTS MEN.

Laurent Taillefer worked for more than 10 years in visual effects. He worked in France especially at Mikros Image then went to Montreal. He worked for several studios such as New Breed Vfx, Vision Globale or Mokko Studio and participated in projects like PIRANHA 3D, MIRROR MIRROR or ASTERIX AND OBELIX: GOD SAVE BRITANNIA.

Gabriel Sanchez began his career in visual effects in the mid-1990s. In 2004, he joined Look Effects as Flame artist. He has worked on films such as THE FOUNTAIN, THE DARJEELING LIMITED, BLACK SWAN or LIMITLESS.

In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.

In 2011, Nicolas Aithadi had explained to us in details the work of MPC on X-MEN: FIRST CLASS. This time, he talks about his work on 47 RONIN.