iron man 3 - résultats de la recherche

Margaux Durand-Rival began her career in visual effects in 2008 at Sabotage Studio in Paris and then at Digital District. She worked on various commercials and music videos. In 2011, she joined The Third Floor in London and participated in previz many films like THE AMAZING SPIDER-MAN 2, MALEFICENT or EDGE OF TOMORROW.

In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.

Greg Butler began his career in the visual effects more than 20 years ago at ILM. He then worked in several studios like Tippett Studio, Weta Digital and MPC. He has worked on many projects such as FORREST GUMP, THE MASK, the LORD OF THE RINGS trilogy or JACK THE GIANT SLAYER.

Last summer, Tim Crosbie explained in details about the work of Rising Sun Pictures on THE WOLVERINE. He is back with superheroes and talks to us about his work on X-MEN: DAYS OF FUTURE PAST.

Titan Books purpose a beautiful art of book written by Linda Sunshine about HOW TO TRAIN YOUR DRAGON 2.

Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

In 2004, Michel Mielke started as VFX-Producer at Scanline, working on projects like 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or Marvel's THE AVENGERS. In 2012, he became VFX Supervisor, for projects like LOOPER and SNOWPIERCER. He's now Head of Production since spring 2013, supervising all inhouse producers and taking care the daily business.

Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

In 2010, Richard Stammers had explained to us the work of MPC on ROBIN HOOD, he then oversaw the effects of PROMETHEUS and THE COUNSELOR. Today he explains his work on his first superhero movie.