The Wheel of Time - résultats de la recherche

In 2016, Tim Miller explained his work and that of Blur Studio on DEADPOOL. He is back today to talk about LOVE, DEATH & ROBOTS. Jerome Denjean began his career as an animator in 2000 at Cryo Interactive. He joined Blur Studio in 2003.

In 2013, Matt Johnson explained the work of Cinesite on WORLD WAR Z. He then took care of the effects of films like JACK RYAN: SHADOW RECRUIT, INTO THE WOODS and NOW YOU SEE ME 2.

Marcus Taormina began his visual effects career more than 10 years ago. He has worked on many movies like THE AMAZING SPIDER-MAN, FURY, TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS and BRIGHT.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

In 2017, Kelvin McIlwain explained his work on THE FATE OF THE FURIOUS. He talks to us today about the many challenges on AQUAMAN.

The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.

In 2015, Paul Franklin talked to us about DNEG's work on INTERSTELLAR. He then worked on MISSION: IMPOSSIBLE - ROGUE NATION, THE ONES BELOW, CAPTAIN AMERICA: CIVIL WAR, BLADE RUNNER 2049 and FIRST MAN.

At the beginning of this year, Jason Billington had explained to us the work of Method Studios on BRIGHT. He talks to us today about his work on SKYSCRAPER.

In 2013, Sara Bennett explained the work of Milk Visual Effects on THE MISERABLES. She then worked on many films such as DRACULA UNTOLD, THE MARTIAN, FANTASTIC BEASTS AND WHERE TO FIND THEM, ASSASSIN'S CREED and ANNIHILATION. In 2016, she won the Oscar for Best Visual Effects for EX MACHINA.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.