mission impossible - résultats de la recherche

In 2012, Jay Barton explained to us the work of Digital Domain on ROCK OF AGES. He then worked on 47 RONIN, INTO THE STORM and FURIOUS SEVEN. Nikos Kalaitzidis began his career at Digital Domain in 1995. He has worked on numerous projects such as TITANIC, THE CURIOUS CASE OF BENJAMIN CUTTON, TRON LEGACY, 47 RONIN and X-MEN: DAYS OF FUTURE PAST.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

The Academy of Motion Picture Arts and Sciences have announced the preliminary shortlist for the Best Visual Effects Award for the 88th Academy Awards: ANT-MAN AVENGERS:...

During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

Here is the recap of my interviews of the week #30. So you won't miss any of them. TERMINATOR GENISYS: Shari Hanson - Production VFX...

Before becoming a freelance visual effects producer, Shari Hanson has worked for many years at Industrial Light & Magic in the commercials department and then in features. She took care of the effects of films such as THE ISLAND, MISSION: IMPOSSIBLE III, TRANSFORMERS or STAR TREK.

John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.