world war z - résultats de la recherche

Jan Krupp is working in the visual effects for more than 14 years. At Scanline VFX, He participated in many films such as DOWNFALL, THE AVENGERS or CLOUD ATLAS.

Sebastien Moreau began his career in the post-production in 1993. In 2001, he joined the team of ILM and work on movies like VAN HELSING, STAR WARS: EPISODE III - REVENGE OF THE SITH, WAR OF THE WORLDS or PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. In 2007, he founded Rodeo FX in Montreal and supervised the effects of films such as SOURCE CODE, IMMORTALS, RED TAILS or MIRROR MIRROR. To discuss the work of Rodeo FX on PACIFIC RIM, he is accompanied by Matthew Rouleau and Fabrice Vienne.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

William Lebeda had designed titles for over 14 years. He created the titles for THE VILLAGE, SHOOT EM UP, THE HAPPENING or DRAG ME TO HELL. Now he tells us in detail the titles work of Picture Mill on R.I.P.D.

Since his interview about UNDERWORLD: AWAKENING, Jeff Campbell has worked on films like ABRAHAM LINCOLN: VAMPIRE HUNTER, RESIDENT EVIL: RETRIBUTION or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.

Two years ago, Dan Lemmon told us about the work of Weta Digital for RISE OF THE PLANET OF THE APES. It is now back to explain his work on MAN OF STEEL.

John Fragomeni, President of Mirada, has been with the studio since its inception in 2010 and oversees all aspects of the studio’s diverse portfolio and developing technology. Most notable of his feature film visual effects credits include the PIRATES OF THE CARIBBEAN franchise and TERMINATOR SALVATION, which he supervised while at Asylum. He has also worked on commercial projects for some of the biggest Fortune 500 companies - as a Director and as a VFX Supervisor - and served as Head of Visual Effects at Motion Theory (MTh). Zach Tucker has supervised countless teams of artists and worked alongside world-class directors for films such as G-FORCE, THE SEEKER: THE DARK IS RISING, DEJA VU and APOCALYPTO. As a Visual Effects Supervisor at Mirada, he brings extensive technical expertise to high-profile feature film and advertising projects, including work for Expedia, Tide, Centrum, and a Super Bowl spot for Wrigley’s “5 Gum.” Tucker has also worked for Digital Domain and Asylum.

John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.

Before joining ILM in 1996, Hal Hickel had worked at Will Vinton Studios and Pixar. At ILM, he participated on many of the major projects of the studio such as STAR WARS EPISODE 1 and 2 and also on the first three PIRATES OF THE CARIBBEAN. He receives an Oscar for his work on PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. He then work on IRON MAN and especially to RANGO and also SUPER 8.

Lindy DeQuattro worked at ILM for over 15 years. She has participated in projects such as DEEP IMPACT, MINORITY REPORT, HULK or VAN HELSING. As visual effects supervisor, she took care of movies like RUSH HOUR 3, CLONES or THE GREAT GATSBY.