underwater - résultats de la recherche

Mike Stillwell has been working in visual effects for 15 years. He joined DNEG in 2010 and he has worked on many shows such...

To kick off 2019, Bryan Hirota had explained in detail the work of Scanline VFX on Aquaman. He then worked on Gemini Man. Today...

The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials...

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.

In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

In 2010, Holger Voss explained the work of Cinesite on HARRY POTTER AND THE DEATHLY HALLOW PART 1. He then worked on many films like JOHN CARTER, ROBOCOP and EDGE OF TOMORROW. As a VFX supervisor, he took care of the effects of films such as X-MEN: DAYS OF FUTURE PAST, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.