the favourite - résultats de la recherche

Oliver Atherton began his career in visual effects in 2002 at DNEG. He works on many films like KICK ASS, MAN OF STEEL, INTERSTELLAR and HOSTILES.

Sean Mathiesen has been working for nearly 30 years in visual effects and animation. He has worked in many studios including Weta Digital, Rising Sun Pictures, MPC and joined DNEG in 2016. He has worked on many projects such as the LORD OF THE RINGS trilogy, TERMINATOR SALVATION, THE MUPPETS MOST WANTED and BLACK MIRROR.

In 2018, Chris White explained the work of Weta Digital on MAZE RUNNER: THE DEATH CURE. He talks to us today about his work on the Netflix serie, THE UMBRELLA ACADEMY. Aidan Martin began his career in visual effects as an animator in 2005. He joined Weta Digital in 2013 to work on THE HOBBIT: THE DESOLATION OF SMAUG. He then works on many films like THE HOBBIT: BATTLE OF THE FIVE ARMIES, THE BFG, WAR FOR THE PLANET OF THE APES and RAMPAGE.

Nigel Denton-Howes told us about Prime Focus's work on THE EXPENDABLES 3 in 2014. He then joined Framestore and worked on AVENGERS: AGE OF ULTRON. He talks to us today about his work as Overall VFX Supervisor on MOWGLI - LEGEND OF THE JUNGLE. In 2014, Max Solomon told us about the work of Framestore on GRAVITY. He then works on JUPITER ASCENDING.

Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.

In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.

Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline VFX in 2012 and works on 300: RISE OF AN EMPIRE. He then takes care of the effects on POMPEII, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.

At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.

Alessandro Ongaro began his career in visual effects in 1998. He has worked on many films such as CONSTANTINE, HOW TO TRAIN YOUR DRAGON,...