Battle Los Angeles - résultats de la recherche

Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.

After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.

Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.

Daniel Barrett has worked in the animation world for nearly 10 years. He joined Weta Digital for BRIDGE TO TERABITHIA. He then worked on projects such as AVATAR, RISE OF THE PLANET OF THE APES or MAN OF STEEL.

Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.

Last year, Bryan Grill explained to us in details the work of Scanline VFX on IRON MAN 3. He is now back in the Marvel universe with CAPTAIN AMERICA. THE WINTER SOLDIER.

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.

After explaining the work of Framestore on JOHNNY ENGLISH REBORN, Rob Duncan oversaw the visual effects of THE DICTATOR. He is back to talk about his work on the remake of ROBOCOP.

Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.