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THE BALLAD OF BUSTER SCRUGGS: Alex Lemke & Michael Huber –...
Alex Lemke started his career in visual effects in 1996. He works in many studios such as Cinesite, Framestore and Weta Digital. As a VFX Supervisor, he takes care of the effects of movies like A MOST VIOLENT YEAR, BILLY LYNN'S LONG HALTIME WALK and PATRIOTS DAY.
Michael Huber started working in visual effects as a Digital Compositor in 2000 and works on many commercials and films. In 2013, he co-founded East Side Effects with Alex Lemke.
THE NUTCRACKER AND THE FOUR REALMS: Max Wood – Overall VFX...
Max Wood began his career in visual effects in 2003 at MPC. He works on films like WATCHMEN, ROBIN HOOD, WORLD WAR Z and 300: RISE OF AN EMPIRE. As a VFX supervisor, he took care of the effects of films such as SAN ANDREAS, ZOOLANDER 2 and SUICIDE SQUAD.
FANTASTIC BEASTS – THE CRIMES OF GRINDELWALD: Martyn Culpitt – VFX...
In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.
OUTLAW KING: Dan Bethell – VFX Supervisor – Method Studios
Dan Bethell began his career in 2001 at MPC. He works in many studios such as Rising Sun Pictures, Iloura and Method Studios. He worked on films like BATMAN BEGINS, TERMINATOR SALVATION, SPIDER-MAN: HOMECOMING and THOR: RAGNAROK.
THE SISTERS BROTHERS: Stephane Thibert – CG Supervisor – Mikros Image
Stephane Thibert began his career in the visual effects in 1996 at Fantome Animation. He then worked in many studios like Sparx and Mathematic Studios before joining Mikros Image in 2007. He has worked on many projects such as RUST AND BONE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and SEE YOU UP THERE.
SHADOW: Nikos Kalaitzidis – VFX Supervisor – Digital Domain
A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.
THE HOUSE WITH A CLOCK IN ITS WALLS: Louis Morin –...
Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.
THE PREDATOR: VFX work by Method Studios
Be sure to look at the before & after pictures by Method Studios (formerly Atomic Fiction) about their work on THE PREDATOR:
Here is the...
THE PREDATOR: VFX work by MPC
MPC have just release a full package of before & after pictures about their work on THE PREDATOR:
Here is the press release:
MPC Film Upgrade...
AVENGERS – INFINITY WAR: Russell Earl – VFX Supervisor – Industrial...
In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.