life of pi - résultats de la recherche

Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.

After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.

LINCOLN is the second collaboration of Ben Morris with Steven Spielberg after WAR HORSE. In the following interview, he explains his work at Framestore on this film.

Eric Saindon began working in visual effects at Santa Barbara Studios on STAR TREK INSURRECTION and SUPERNOVA. In 2000, he joined Weta Digital to work on the LORD OF THE RINGS trilogy. Then he worked on projects such as I ROBOT, KING KONG or AVATAR.

Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.

Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

Lara Lom began her VFX career at Pixomondo and worked on the films FAST FIVE and HUGO. She then joined MPC in 2012 and participated in numerous projects such as DARK SHADOWS, TOTAL RECALL and PROMETHEUS.

Jon Neill joined Cinesite more than 15 years ago. He has worked on many projects such as EVENT HORIZON, LOST IN SPACE, THE HITCHHIKER'S GUIDE TO THE GALAXY or HARRY POTTER AND THE ORDER OF THE PHOENIX. As VFX supervisor, he took care of JOHN CARTER.

Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.

Since he explained the effects of Tippett Studio on SEASON OF THE WITCH, Blair Clark worked on films like PRIEST and THE SMURFS.