man of steel - résultats de la recherche

After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.

Erik Nash began his career in 1979 on the film STAR TREK: THE MOTION PICTURE. He joined Digital Domain in 1995 and work on projects like APOLLO 13, TITANIC or KUNDUN. He then became VFX supervisor and take care of the effects of films like RED PLANET, I ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END. In the following interview, he talks about his work on REAL STEEL.

Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.

James Etherington-Sparks began his career in visual effects nearly 20 years ago at Cinesite. He then worked in many studios like DNEG, The Mill before joining Union VFX in 2017. He has worked on many projects such as CAPTAIN AMERICA: THE FIRST AVENGER, TOTAL RECALL, MAN OF STEEL and DUNKIRK.

Ten years ago, Ged Wright told us about the work of DNEG on IRON MAN 2. He then worked on many films such as ATTACK THE BLOCK, MAN OF STEEL, GODZILLA and ASSASSIN'S CREED.

Oliver Atherton began his career in visual effects in 2002 at DNEG. He works on many films like KICK ASS, MAN OF STEEL, INTERSTELLAR and HOSTILES.

Chris Keller started his career in visual effects in 2010 at DNEG. He has worked on films such as TOTAL RECALL, MAN OF STEEL, AVENGERS: AGE OF ULTRON and PACIFIC RIM: UPRISING. As a VFX Supervisor, he took care of the effects of films like ANT-MAN AND THE WASP and HOLMES & WATSON.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

Stephane Paris explained the work of Cinesite on PIRATES OF THE CARIBBEAN: ON STRANGER TIDES in 2011. He then joins MPC to work on MAN OF STEEL, THE AMAZING SPIDER-MAN 2, EDGE OF TOMORROW, GUARDIANS OF THE GALAXY and INTO THE STORM. In 2014, he returned to Cinesite to oversee the effects of THE LAST WITCH HUNTER.

Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, INCEPTION, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.