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Marion Spates started his career in visual effects almost 20 years ago. He has worked at many studios such as Digital Dimension, Method Studios...

To kick off 2019, Bryan Hirota had explained in detail the work of Scanline VFX on Aquaman. He then worked on Gemini Man. Today...

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

The Framestore team composed of Andy Kind (VFX Supervisor), Chris Zeh (Compositing Supervisor) and Liam Russell (Animation Supervisor) tell us about their work on THE SECRET GARDEN.

In 2017, Eric Robinson told us about the work of Mr. X on RESIDENT EVIL: THE FINAL CHAPTER. He then worked on projects such as XXX: RETURN OF XANDER CAGE, HOW IT ENDS and CREED II.

In 2012, Mitchell Drain explained the work of Method Studios on THIS MEANS WAR. He then joined Shade VFX in 2015 and Digital Domain in 2018. He has worked on projects such as KONG: SKULL ISLAND, DOWNSIZING, WESTWORLD and THE TWILIGHT ZONE.

Last year, Justin Ball explained his work on THE CURRENT WAR. He then worked on NIGHT SCHOOL, THE OA PART II and UNHINGED.

Chris White and Aidan Martin told us in detail about the work of Weta Digital work on THE UMBRELLA ACADEMY last year. They are back with a new Netflix series, SPACE FORCE.

Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR...

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.