fast furious - résultats de la recherche

Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.

Karen Murphy began her career in the visual effects almost 25 years ago. She has produced the effects of many films such as TITANIC, WILD WILD WEST, HUGO and FURIOUS 7.

The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.

Kelvin McIlwain began his career in the visual effects as a matte painter at Illusion Arts in 1996. He take care of the effects of CENTRAL INTELLIGENCE between two films of the FAST AND FURIOUS saga. Interesting fact: he worked on all the films of this saga!

Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Here is the complete list of the winners for the 14th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Photoreal Feature Star Wars: The...

Here is the complete list of the nominees for the 14th Annual VES Awards: Congratulations to everyone and good luck ;) Outstanding Visual Effects in a...

The Academy of Motion Picture Arts and Sciences have announced the preliminary shortlist for the Best Visual Effects Award for the 88th Academy Awards: ANT-MAN AVENGERS:...

Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.