dan glass - résultats de la recherche

At the beginning of the year, Stephane Nazé explained the work of Framestore on DOWNSIZING. He talks to us today about DEADPOOL 2.

Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

The Visual Effects Society have just announced the nominees for the 15th Annual VES Awards: Outstanding Visual Effects in a Photoreal Feature DOCTOR STRANGE...

VFX Supervisor Dan Glass talks about his work for VOYAGE OF TIME: The VFX are made by: Method Studios Locktix One Of Us Director: Terrence Malick Release Date: 7 October...

Andy & Lana Wachowski are working with Netflix to launch a new TV serie, SENSE8: The VFX are made by: Locktix (VFX Supervisor : Matthew Bramante) The...

On last month, Simon Carr explained to us in detail his work on EXODUS: GODS AND KINGS. He speaks to us today about the impressive work of Method Studios on the new sci-fi movie by The Wachowskis, JUPITER ASCENDING.

Brand new trailer for JUPITER ASCENDING full of new VFX shots, creatures and spaceships and action! The VFX are made by: Framestore (VFX Supervisor : Mike...

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

In 2012, Angela Barson told us about her work on SNOW WHITE AND THE HUNTSMAN. She's back to explain the work of BlueBolt on CLOUD ATLAS.

Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.