dan glass - résultats de la recherche

Eddy Wong founded Menfond Electronic Art in 1990 with his brother Victor. They are the first to create the full computer graphics in China, it was for the commercial EPRO Paging. There are also working on cinematics for video games like PARASITE EVE or FINAL FANTASY VIII. In 2001, they created the first full CG animation feature, MASTER Q, with director Tsui Hark. Eddy Wong supervised the VFX of many films including INFERNAL AFFAIRS trilogy, LEGEND OF ZU, HOUSE OF FLYING DAGGERS or NEW POLICE STORY. In the following interview, he talks about his work on the film SHAOLIN.

After working several years at IMAX on projects such as BATMAN BEGINS, V FOR VENDETTA or 300, Eric Robinson joined the team of Mr. X in 2010. He will participate in such films as RESIDENT EVIL: AFTERLIFE and HANNA. In the following interview, he talks about his work on THE THREE MUSKETEERS.

Nicolas Aithadi is back on The Art of VFX. After spoken of HARRY POTTER AND THE HALF-BLOOD PRINCE, he talks now about his work on X-MEN FIRST CLASS.

Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.

After several years at London Computer Film Company, Adrian de Wet goes to California at ESC Entertainment to work on THE MATRIX RELOADED. Back in London, he worked for many studios such as Framestore, MPC and Double Negative, that he joined in 2007.

Neil Huxley has worked more than 5 years at Digital Pictures Iloura as Flame operator before coming to the United States where he worked as art director on movies such as GAMER or WATCHMEN at yU+co. It's him that create the beautiful opening title sequence of this show. In 2009, he joined Prime Focus. In the following interview, he talks about his work on AVATAR.