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WRATH OF THE TITANS: Gary Brozenich – VFX Supervisor – MPC

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Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

THE GIRL WITH THE DRAGON TATTOO: Sean Andrew Faden – VFX...

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Sean Andrew Faden began his career in 1996 at Digital Domain where he worked on films such as THE FIFTH ELEMENT, TITANIC, FIGHT CLUB or RED PLANET. In 2004 he joined the team of Asylum Visual Effects and participate on films like CHARLIE AND THE CHOCOLATE FACTORY, THE CURIOUS CASE OF BENJAMIN BUTTON or DOMINO. In 2009, he joined Method Studios and oversee the visual effects of films such as LET ME IN, GULLIVER'S TRAVELS or CAPTAIN AMERICA: FIRST AVENGER. In the following interview, he talks about his work on THE GIRL WITH THE DRAGON TATTOO.

KING OF DEVIL´S ISLAND (KONGEN AV BASTØY): Otto Thorbjørnsen – VFX...

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Otto Thorbjørnsen joined Storm Studios in 2005. He worked on films like DEAD SNOW and THE TROLL HUNTER. In the following interview, he talks about his work as a VFX supervisor on the film KING OF DEVIL'S ISLAND.

CAPTAIN AMERICA – THE FIRST AVENGER: Charlie Noble – VFX Supervisor...

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After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

CONAN THE BARBARIAN: Ajoy Mani – VFX Supervisor – Worldwide FX

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Ajoy Mani began his career at Available Light Ltd where he worked on projects such as BLUES BROTHERS 2000 or MY FAVORITE MARTIAN. In 2007 he joined the teams of Worldwide FX to work on RIGHTEOUS KILL as VFX supervisor. Since then he oversaw the effects of films like THE MECHANIC or DRIVE ANGRY. In the following interview, he talks about his work on CONAN THE BARBARIAN.

TRANSFORMERS: DARK OF THE MOON – Digital Domain

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Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

Constellation: Doug Larmour – Production VFX Supervisor

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Back in 2020, Doug Larmour offered insights into the visual effects process for The Alienist: Angel of Darkness. Subsequently, he contributed to the visual...

Outpost VFX – Showreel 2023

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The teams of Outpost VFX have released this showreel featuring their work on Foundation, The Wheel of Time, Westworld and many more: https://vimeo.com/761902839 © Vincent Frei...

Oppenheimer: Andrew Jackson (Production VFX Supervisor) and Giacomo Mineo (DNEG VFX...

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In 2017, Andrew Jackson told us about the visual effects work on Dunkirk. He then worked on The King and reunited with Christopher Nolan...

Wonka: Graham Page (Overall VFX Supervisor), Robert Allman & Carlos Monzon...

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In 2023, Graham Page presented the work of Framestore on The Matrix Resurrections. Today, he returns to discuss his role as Overall VFX Supervisor...