The Wheel of Time - résultats de la recherche

Last year, Alex Wang explained to us about the work of Digital Domain on DEADPOOL. He then joined the teams of Double Negative and talks about his work on THE FATE OF THE FURIOUS.

Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.

Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.

In 2013, Bjoern Mayer explained to us the work of Pixomondo on OBLIVION. He then took care of the effects of projects such as THE HUNGER GAMES: MOCKINGJAY PART 1, MARCO POLO, TRUE DETECTIVE and THE SHANNARA CHRONICLES.

Before joining Weta Digital in 2003, Jamie Beard worked at Framestore and MPC. At Weta, Jamie worked on THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, THE ADVENTURES OF TINTIN or IRON MAN 3.

Bryan Hirota had explained to us in detail in 2014 the work of Scanline VFX on 300: RISE OF AN EMPIRE. He then worked on IN THE HEART OF THE SEA. BATMAN V SUPERMAN marks his fourth collaboration with director Zack Snyder and VFX supervisor John DJ Des Jardin.

Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.

In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.

Matthew Rouleau began his career in the visual effects in 2003. He worked at Buzz Image Group, The Embassy and joined the team of Rodeo FX in 2010. He has worked on films such as THE FOUNTAIN, DISTRICT 9, IRON MAN 2 and PACIFIC RIM.

Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.