the favourite - résultats de la recherche

From August 2020 to April 2021, the Parisian teams of MPC Film & Episodic (formerly Mikros VFX) crafted 230 shots on Ridley Scott's latest...

Chris McLaughlin joined the DNEG team in 2010. He has worked on a number of projects including John Carter, Terminator Genisys, Blade Runner 2049...

Back in 2018, Will Reichelt explained in detail Animal Logic's work on Peter Rabbit. He's back today to tell us about the film's sequel. Simon...

Matthew Bramante started his career in visual effects in 2007 at Digital Domain. He has worked on many shows such as Real Steel, Iron...

Last year, James Etherington-Sparks, explained in detail the work of Union VFX on The Gentlemen. He then worked on the Black Narcissus series and...

In 2019, Simon Stanley-Clamp explained Cinesite's work on Avengers: Endgame. He then completely changed of universe with the Netflix's fantasy series, Fate: The Winx...

Sebastian Barker began his career in visual effects in 2006 at Rushes working on films such as 28 Weeks Later  and RocknRolla. In 2014,...

Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

Ivor Middleton has been working in visual effects for over 26 years. He has worked in many studios such as Mill Film, Cinesite and Vine FX. In 2012, he created his own studio IMG VFX. His filmography includes many projects such as GLADIATOR, THE GOLDEN COMPASS, THE RACK PACK and THE WAR OF THE WORLDS.