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The 1000th interview: Duncan McWilliam – Founder & CEO – Outpost...

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Headquartered in Bournemouth, UK, and with offices in Montréal, London, Los Angeles and Mumbai, Outpost VFX exists to bring vivid creative ideas to life...

The Umbrella Academy – Season 3: Chris White (VFX Supervisor) &...

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The Weta FX team with Chris White (VFX Supervisor) and Aidan Martin (Animation Supervisor) are back to talk about their work and especially about...

Thor – Love and Thunder: Pete Dionne & Matthew Twyford –...

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In 2019, Pete Dionne explained the work made by MPC on Pokémon: Detective Pikachu. He then joined the teams of Method Studios in 2021...

Doctor Strange in the Multiverse of Madness: Julian Foddy (VFX Supervisor)...

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Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...

Fantastic Beasts – The Secrets of Dumbledore: Christian Manz – Production...

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Back in 2018, Christian Manz explained the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He's back today to tell us in...

The Batman: Julius Lechner – VFX Supervisor – Scanline VFX

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Last year, Julius Lechner explained the visual effects work done by Scanline VFX on Zack Snyder's Justice League. He then worked on Eternals. How did...

The Adam Project: Alexander Seaman (VFX Supervisor) & Mike Duffy (VFX...

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Alexander Seaman started his career in visual effects in 2004 at MPC, he then worked at Framestore before joining DNEG in 2006. He has...

The Matrix Resurrections: Huw Evans (VFX Supervisor) with Benjamin Cowell-Thomas (Environment...

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Back in 2018, Huw Evans explained the work done by the teams of DNEG on Mission: Impossible - Fallout. He then went on to...

The Witcher – Season 2: Dadi Einarsson (VFX Supervisor) & Gavin...

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Back in 2015, Dadi Einarsson explained the visual effects work on Everest. He then worked on several projects such as Trapped, Adrift and Hunters. Gavin...

The Wheel of Time: Julian Parry – Overall VFX Supervisor

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Back in 2020, Julian Parry explained the creation of the visual effects for the first season of The Witcher. Today he talks to us...