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In 2012, Raymond Chen explained the work of Rhythm & Hues on CHRONICLE. He then worked on WINTER'S TALE and then INTO THE STORM. In 2016, he joined DNEG and took care of the effects of films like STAR TREK BEYOND and THE MEG.

Aidan Fraser began his career in the visual effects in the early 2000s. He worked in many studios like Industrial Light & Magic, Weta Digital, Laika and joined Atomic Fiction (now Method Studios) in 2013. He worked on many movies such as KING KONG, IRON MAN 2, THE WALK and STAR TREK BEYOND.

In 2015, Kevin Baillie explained to us the work of Atomic Fiction (now Method Studios) on THE WALK. He then worked on STAR TREK BEYOND, ALLIED and the TV series, MANIFEST. Today he talks about his new collaboration with director Robert Zemeckis for WELCOME TO MARWEN.

Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.

Patric Roos has 20 years of experience in visual effects. He has worked in many studios like MPC, Industrial Light & Magic and DNEG before joining Framestore in 2015. He has worked on many films such as CLASH OF THE TITANS, THE AVENGERS, STAR TREK: INTO DARKNESS, GODZILLA and GUARDIANS OF THE GALAXY VOL. 2. Liam Russell began his career in animation at Framestore in 2008. He has worked on many films such as AVATAR, 47 RONIN, GRAVITY and the two GUARDIANS OF THE GALAXY movies.

In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

Before joining Trixter in 2017, Michael Wortmann worked in several studios such as Animal Logic, Cinesite, Weta Digital, Pixomondo and Chimney. As a VFX Supervisor, he took care of the effects of shows like GAME OF THRONES, STAR TREK: INTO DARKNESS, GOOD KILL and ATOMIC BLONDE.

In 2016, Seth Hill explained to us about the work of Atomic Fiction on STAR TREK BEYOND. He then worked on ALLIED and ROGUE ONE.

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.